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Jon Pareles, New York Times
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"Long before Zap Mama arrived from Europe, New York City
had Women of the Calabash, the trio of singing percussionists. The women treat Kwanzaa as an occasion for a trip through the African Diaspora, from the choral anthem of the African National Congress to Yoruba chants to Zimbabwean mbira (thumb piano) music to steel-drum calypso. The percussion is crisply recorded, whether it's calabash rattles or drums or balaphon (African marimba); the voices harmonize with heavy precision." |
Joanne Gruber, Essence Magazine |
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"...WOMEN OF THE CALABASH...bring out a huge assortment
of musical instruments from flutes |
Debra Cash, Boston Globe
"WOMEN OF THE CALABASH keep the flame alive. As these
urban American women sing in the |
Jennifer Dunning, New York Times
"...finely detailed music ...a performance marked by the
blend of simplicity, warmth, delicacy, and |
Andrew Kollmorgen, NYC Metro
"WOMEN OF THE CALABASH pull off what they do with an
almost primeval sense of grace and |
Kathy Cano-Murillo, AZ Central
"Now for something completely different. Forget the tinsel and mistletoe and focus on a more substantial winter tradition: Kwanzaa. The trio Women of the Calabash have enchanted audiences for two decades with traditional instruments and harmonic vocals. Their colorful spectrum includes music from Africa, Latin America, the Caribbean and Black America. And now, finally, they present their debut recording, The Kwanzaa Album. This compilation of tunes celebrates Kwanzaa, the non-religious African-American holiday that runs Dec. 26 to Jan. 1. Each note is inspired by and based upon the ideals, stories and history of the holiday. Free-flowing spoken-word segments weave smoothly in and out throughout the disc and explain the main principles of Kwanzaa. The 16 cuts are threaded together with a variety of willowy and expressive moods, via percussion and various languages. Pretty impressive considering that every instrument and vocal (with the exception of one track) is performed by the trio alone. No backup band, no electrical outlets. Empowering and entertaining, The Kwanzaa Album is an asset to any CDl ibrary, any time of the year." |
Downbeat Magazine
"...the extraordinary WOMEN OF THE CALABASH!" |
UCLA Arts Quarterly
"WOMEN OF THE CALABASH sing traditional music of Africa, Latin America, and the Caribbean with astounding, joyous vitality. The music of freedom has rarely before been given voice so simply, so gracefully, so ecstatically." |
Sonja Williams, The City Sun, NYC
"Whenever they perform, they elicit an almost religious excitement..." |
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